I'm realizing that as a designer, I'm starting to become
more interested in hand drawing and old school methods (probably because I
haven't gotten a good chance of intensity in school to jump in on the digital
fabrication stuff...and somehow it's working itself out where I'm exploring
where my strengths really lie as a designer). I need to sharpen my swords to
design.
Translating what we conceive in our minds to that evocative sketch slowly and develops into a space that is habitable and experiential is what I'm interested. It's what Juhani Pallasmaa argues and warns us in his books The Eyes of the Skin and The Thinking Hand that the computer can lead us to designing sterile spaces that lack a human scale and feel, and that our direct use of hands in the doing to make architecture is more evocative, human, and emotional.
Translating what we conceive in our minds to that evocative sketch slowly and develops into a space that is habitable and experiential is what I'm interested. It's what Juhani Pallasmaa argues and warns us in his books The Eyes of the Skin and The Thinking Hand that the computer can lead us to designing sterile spaces that lack a human scale and feel, and that our direct use of hands in the doing to make architecture is more evocative, human, and emotional.
From previous entries, know that I'm two years behind my
degree - and for those of you that experience setbacks and failures, It can be
really disheartening. I`m straddling the lines between confidence and
self-loathing, between working excessively hard and giving yourself some slack.
I feel that the workshop drawing exercises and the words of wisdom kinda push
yourself to learn more about yourself, reflect on your work ethic and values,
and furthermore realizing your potential that anything can happen when you work
towards something. Not only that, be happy for your improvements from then and
now and not between you and them.
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